The Met made history in December 2006 when it presented its first Live in HD transmission to cinemas worldwide: the abridged English-language version of Mozart’s The Magic Flute. Julie Taymor’s whimsical production features a winning ensemble, including tenor Matthew Polenzani, baritone Nathan Gunn, and bass René Pape. The opera returns to select movie theaters for a special encore presentation during the holiday season.

Extraordinary Norwegian soprano Lise Davidsen stars as the passionate title diva in David McVicar’s thrilling production, transmitted live from the Metropolitan Opera stage to cinemas on November 23. British-Italian tenor Freddie De Tommaso makes his eagerly anticipated company debut as Tosca’s revolutionary lover, Cavaradossi, and powerhouse American baritone Quinn Kelsey is the sadistic chief of police Scarpia. Maestro Xian Zhang conducts the electrifying score, which features some of Puccini’s most memorable melodies.

Tony Award–winning composer Jeanine Tesori’s powerful new opera Grounded premieres at the Metropolitan Opera, wrestling with often-overlooked issues created by 21st-century warmaking: the ethical conflicts created by the use of modern military technology and the psychological and emotional toll supposedly safe remote technology takes on our servicepersons. Canadian mezzosoprano Emily D’Angelo stars as the hot-shot fighter pilot whose unplanned pregnancy takes her out of the cockpit and lands her in Las Vegas, operating a Reaper drone halfway around the world. American tenor Ben Bliss costars as the Wyoming rancher Eric in a production by Michael Mayer that brings this story to life in a high-tech staging which presents a variety of perspectives on the action. Met Music Director Yannick Nézet-Séguin takes the podium to conduct Tesori’s kaleidoscopic opera, which will be transmitted live from the Met stage to cinemas on October 19.

Offenbach’s fantastical opera kicks off the Metropolitan Opera’s season of Live in HD performance transmissions, starring French tenor Benjamin Bernheim in the title role of the tormented poet. Joining Bernheim is American soprano Erin Morley as Olympia, South African soprano Pretty Yende as Antonia, and French mezzo-soprano Clémentine Margaine as Giulietta to complete Hoffmann’s trio of lovers. Marco Armiliato conducts Bartlett Sher’s evocative production, which also features American bass-baritone Christian Van Horn as the Four Villains and Russian mezzo-soprano Vasilisa Berzhanskaya in her company debut as Nicklausse.

Extraordinary soprano Asmik Grigorian tackles the demanding role of Cio-Cio-San, the loyal geisha at the heart of Puccini’s devastating tragedy.

Puccini’s bittersweet love story arrives in cinemas on April 20, with soprano Angel Blue starring as the French courtesan Magda, opposite tenor Jonathan Tetelman as Ruggero, an idealistic young man who offers her an alternative to her life of excess.

Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores.

Music Director Yannick Nézet-Séguin conducts Verdi’s grand tale of ill-fated love, deadly vendettas, and family strife, with stellar soprano Lise Davidsen as the noble Leonora, one of the repertory’s most tormented—and thrilling—heroines.

Acclaimed English director Carrie Cracknell brings a vital new production of one of opera’s most enduringly powerful works, reinvigorating the classic story with a staging that moves the action to the modern day and finds at the heart of the drama issues that could not be more relevant today: gendered violence, abusive labor structures, and the desire to break through societal boundaries.

Baritone George Gagnidze makes his Met role debut as the imperious king Nabucco, alongside soprano Liudmyla Monastyrska reprising her thrilling turn as his vengeful daughter Abigaille.

Sung in Spanish and inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s 1996 opera tells the enchanting story of a Brazilian opera diva who returns to her homeland to perform at the legendary opera house of Manaus—and to search for her lost lover, who has vanished into the jungle.

The Met’s family-friendly production of Mozart’s dazzling fairy tale returns, sung in English and running under two hours.

Theater luminary and Tony-nominated director of Slave Play Robert O’Hara oversees a potent new staging that imagines Malcolm as an Everyman whose story transcends time and space.

Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally.